{"id":59814,"date":"2026-05-13T12:52:10","date_gmt":"2026-05-13T10:52:10","guid":{"rendered":"https:\/\/mk2films.com\/?p=59814"},"modified":"2026-05-13T12:52:10","modified_gmt":"2026-05-13T10:52:10","slug":"mk2-films-scales-global-strategy-for-auteur-classics-with-new-acquisitions","status":"publish","type":"post","link":"https:\/\/mk2films.com\/en\/mk2-films-scales-global-strategy-for-auteur-classics-with-new-acquisitions\/","title":{"rendered":"mk2 films Scales Global Strategy for Auteur Classics With New Acquisitions"},"content":{"rendered":"<p><strong>With new deals spanning Michael Haneke, Ang Lee, Xavier Dolan and C\u00e9line Sciamma, the Paris-based company is accelerating its strategy to turn restored auteur classics into global theatrical events.<\/strong><\/p>\n<p>mk2 films is accelerating its push to reposition auteur classics as global theatrical events, unveiling a new slate of acquisitions spanning Michael Haneke, Ang Lee and Xavier Dolan as part of a broader strategy to activate its 1,000-title library.<\/p>\n<p>The Paris-based company continues to cement its position as a key international hub for auteur cinema, while maintaining a strong presence at Cannes with five titles in Competition.<\/p>\n<p>Among the headline deals, mk2 films has secured worldwide rights to Michael Haneke\u2019s <em>Funny Games<\/em> (2007), the director\u2019s English-language remake starring Naomi Watts, Tim Roth, Michael Pitt and Brady Corbet, with cinematography by Darius Khondji. The acquisition, concluded with Chris Coen Films Ltd., strengthens a Haneke slate that already includes <em>Code Unknown<\/em> and <em>The Piano Teacher<\/em>, the Cannes triple-winner marking its 25th anniversary this year.<\/p>\n<p>mk2 films has also acquired worldwide rights to newly restored versions of Ang Lee\u2019s first three features, <em>Pushing Hands<\/em>, <em>The Wedding Banquet<\/em> and <em>Eat Drink Man Woman<\/em>, in a deal with the Taiwan Film and Audiovisual Institute, where the films were originally restored by CMPC. Often referred to as the \u201cFather Knows Best\u201d trilogy, the films laid the foundation for Lee\u2019s international career and are now being repositioned for global theatrical circulation. <em>The Wedding Banquet<\/em> won the Golden Bear at the Berlin Film Festival and was nominated for both the Academy Award and Golden Globe for Best Foreign Language Film, while <em>Eat Drink Man Woman<\/em> premiered at Cannes Directors\u2019 Fortnight and was also nominated for the Academy Award for Best Foreign Language Film.<\/p>\n<p>mk2 films is also deepening its long-standing relationship with Xavier Dolan, acquiring worldwide rights to <em>I Killed My Mother<\/em> and <em>Heartbeats<\/em> from Nancy Grant, after previously holding French rights to <em>Heartbeats<\/em>. The films join<em> Laurence Anyways<\/em> and <em>Tom at the Farm<\/em>, as well as French rights to <em>Mommy<\/em> and <em>It\u2019s Only the End of the World<\/em>. The relationship dates back to <em>Heartbeats<\/em>, which mk2 films distributed in France before producing several of Dolan\u2019s subsequent features.<\/p>\n<p>On the U.S. indie front, mk2 films is reactivating Gregg Araki\u2019s <em>Mysterious Skin<\/em>, a Sundance breakout and defining work of early-2000s independent cinema, through a director-approved new 4K restoration which premiered at Sundance Classics this year. Additional 4K-restored titles include Lisa Cholodenko\u2019s <em>High Art<\/em> and Martha Coolidge\u2019s <em>Not a Pretty Picture<\/em>, further expanding the catalogue with landmark works by key voices in American independent and female filmmaking. In parallel, mk2 films is rolling out a new 4K restoration of Ari Folman\u2019s milestone animated documentary <em>Waltz with Bashir<\/em>, which has recently joined the company\u2019s collection.<\/p>\n<p><strong>\u201cThese acquisitions are part of a long-term editorial strategy,\u201d said Fr\u00e9d\u00e9rique Rouault, Head of Collections at mk2 films. \u201cWe are building coherent, curated bodies of work, strengthening relationships with filmmakers and rights holders, and giving distributors access to collections supported by new marketing assets and the tools to turn them into events.\u201d<\/strong><\/p>\n<p>These additions follow the recent acquisition of worldwide rights to C\u00e9line Sciamma\u2019s early films <em>Naissance des Pieuvres<\/em>, <em>Tomboy<\/em> and <em>Girlhood<\/em>, completing a collection that already includes <em>Portrait of a Lady on Fire<\/em> and <em>Petite Maman<\/em>. The mk2 films Sciamma collection also includes her recent short film <em>This Is How a Child Becomes a Poet<\/em>. A major Centre Pompidou retrospective, \u201cC\u00e9line Sciamma, action po\u00e9tique,\u201d taking place from June 3 to 16, 2026 at mk2 Biblioth\u00e8que x Centre Pompidou in Paris, will anchor the rollout, underscoring mk2 films\u2019 strategy of pairing catalogue acquisitions with high-profile cultural moments.<\/p>\n<p>The company is also deepening its partnership with <strong>Martin Scorsese\u2019s The Film Foundation<\/strong>, further reinforcing its role in the international circulation of restored world cinema. Depending on titles, mk2 films represents worldwide rights, excluding North America, to a prestigious selection of features restored through the Foundation\u2019s World Cinema Project, which is dedicated to preserving and revitalising landmark films from across the globe. Ten new films have recently joined the deal, including Sergei Parajanov\u2019s <em>Shadows of Forgotten Ancestors<\/em>, Idrissa Ou\u00e9draogo\u2019s <em>Yam Daabo<\/em> and Dariush Mehrjui\u2019s <em>The Postman<\/em>, all restored in 4K.<\/p>\n<p><strong>For CEO Nathana\u00ebl Karmitz, the shift is structural: \u201cFilms are not dormant assets. They are living works \u2014 films to be restored, recontextualised and brought back into circulation for audiences, festivals, distributors and cultural partners worldwide. As exhibitors ourselves, we understand the challenges our clients face and the importance of creating events that give films a renewed public life. The renewed interest of younger audiences in classic cinema is a global trend \u2014 and it is strongest when these films are properly framed, restored and presented as collective experiences.\u201d<\/strong><\/p>\n<p>This approach reflects a broader shift in how mk2 films positions its library: not as catalogue inventory, but as a pipeline for global theatrical events. That strategy is already delivering results. Recent rollouts include the theatrical return of Claude Lanzmann\u2019s <em>Shoah<\/em> and the global centenary reissue of Charlie Chaplin\u2019s <em>The Gold Rush<\/em>, which launched at Cannes Classics before expanding to 2,000 screens across 76 territories.<\/p>\n<p><strong>\u201cWith <em>The Gold Rush<\/em>, we wanted to show that a classic can still become a shared theatrical event at international scale,\u201d said Jacques-Antoine Jagou, International Sales Executive at mk2 films. \u201cThe response confirmed that when restoration, editorial framing and release strategy are aligned, heritage cinema can generate real momentum in cinemas. We now intend to build on this network of partners for future worldwide events around major works from the mk2 films library.\u201d<\/strong><\/p>\n<p>Looking ahead, mk2 films is lining up a new cycle of global rollouts built around Abbas Kiarostami, Jacques Demy and Charles Chaplin. The company will mark the 30th anniversary of Kiarostami\u2019s Palme d\u2019Or-winning <em>Taste of Cherry<\/em> in 2027, while continuing to bring renewed attention to the Abbas Kiarostami collection. It is also preparing new initiatives around Jacques Demy\u2019s<em> The Young Girls of Rochefort<\/em>, one of the most beloved French musicals of the 1960s, as well as a global reactivation of Charles Chaplin\u2019s work for today\u2019s audiences. The Chaplin programme will feature a curated line-up of his most iconic films, presented as a contemporary, ready-to-release programme that highlights the timeless, universal and striking relevance of his work today.<\/p>\n<p>The strategy is clear: in a crowded marketplace, mk2 films is betting that curated auteur cinema, powered by an extensive acquisition strategy, film restoration, editorial framing and global coordination, can break through as event programming \u2014 giving distributors, exhibitors and cultural partners a pipeline of ready-to-activate classics capable of mobilising audiences worldwide.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With new deals spanning Michael Haneke, Ang Lee, Xavier Dolan and C\u00e9line Sciamma, the Paris-based company is accelerating its strategy to turn restored auteur classics into global theatrical events. mk2 films is accelerating its push to reposition auteur classics as global theatrical events, unveiling a new slate of acquisitions spanning Michael Haneke, Ang Lee and [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":59648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[643],"tags":[],"class_list":["post-59814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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